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This enables you to load multiple Sotto instruments in one instance of Kontakt and assign all of them to the same MIDI channel.īelow is an example of the muting & preset change keyswitches for Strings but be aware that the keyswitches vary depending on the instrument as shown on the picture below. The keyswitches are laid out low to high in groups of black or white keys per section, to make them easy to identify and remember.Įach of the instruments (strings, brass etc) has different keyswitches to change presets, from MIDI C3 to B3.
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This is very useful when you want to sequence mutes in your DAW. Any velocity below 84 will mute a field, higher will unmute. You can also use the velocity sensitive keyswitches shown here to mute fields. You can mute / unmute individual fields by clicking the corresponding button.Ĭmd / Ctrl left-click on the button to solo that field. The presets can be selected either by clicking them in the interface or with keyswitches shown below. Whichever instrument you choose, Sotto has 4 user presets, each of which can be assigned up to 3 different fields. We stick with our unbeatable pricing module and high quality sampling. Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We, at Sonokinetic BV, are very proud to introduce Sotto to you and can’t wait to hear the amazing things you, our valued customer base, will produce with it. We really wanted this to be a living breathing instrument that can add life to your compositions and feel we have succeeded in doing just that. To add intimacy we have included a breath slider for woodwinds and brass that will add ‘air’ to the phrases, further blurring the line between sound and no sound, and musical sound versus human sound. We’re so excited to add this product to our range as it stands proud alone and also complements other Sonokinetic orchestral products. The combinations of different phrases and sections sound absolutely stunning, with a very warm and rich timbre.
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For Sotto we further expanded our voice leading concept to get even smoother transitions between chords. There are a lot of beautiful beds with different playing techniques, like sul tasto, sul ponticello and harmonics for strings, frullato for woods and different mutes for brass. The balance of sound to mechanical noise tips slightly in favour of the mechanical noise, but to us it all sounds very much alive. The starts of phrases in brass and woodwinds become increasingly hard to align for the players, resulting in beautiful imperfection. The softer you try to go, the closer you get to the breakpoint between sound and no sound. We have always been fascinated by the sound of a majestic orchestra hitting the brake pedal and laying down soft beds and patterns, and that is what we’ve achieved with this library.Īnyone who has ever attempted to capture a live orchestra will be able to tell you that very quiet playing is a tricky thing to record. A loud passage will not sound really loud unless it’s contrasted by a softer counterpart, and a climax cannot arrive without a journey to get you there. We’ve always had a yearning to capture something more delicate, and now we’ve done it… presenting “Sotto”.Īs a composer there are certain musical rules that you have to obey, and one of them is that there always has to be contrast.
#Kontakt orchestra not working cant load samples series#
We have covered a lot of ground in our orchestral series already there’s the scary Tutti, the uplifting Vivace, the understated Minimal, the driving Grosso and the majestic Capriccio. Orchestral sampled instrument for delicate moments and deafening silence.